One child in a grave and one in my arms.

Yesterday I visited Adam’s grave. I parked my car, turned the engine off, and spotted the white angel that serves as his marker. When he was buried, I remember how concerned my mother was about the upkeep of the grave. I told her it didn’t matter to me; that who Adam was as a human being was not in that grave.  At the time, I did not even think I would visit his grave, but would honor his memory in my heart. But, over the past ten years I have returned many times, parked my car and trained my eye on that white angel.

I knew my mother had acquired that angel on her own, that it wasn’t part of the pre-need package deal that we set up with the funereal home years before his death. After I left the graveyard, I called my mother and asked her where she got the angel. She thought for a few minutes and told me that she had gone to Chastant Brother’s Feed Store off of Pinhook Road in Lafayette and purchased it. It is a concrete statue, small, of a cherub. My mother told me that she bought white enamel paint and painted it herself on the back patio of her house. I told her thank you for doing that because it serves a great purpose. My eyes are drawn directly to it and it is a simple yet beautiful reminder of Adam’s innocence.

Later in the day, I was reading in my bedroom.  My daughter came in and asked me for a backrub. She is eighteen and has her first job. She has been working very hard and she really feels it in her back. I gave her a backrub and we shared a sweet moment together. She thanked me and hugged me for a long time. I rested my hand on her head, kissed her and told her how incredible she is. The thought came to me that I had one child in a grave and one in my arms. This thought caused a mixture of deep gratitude and sadness and resonant longing that permeated the rest of my day.  But today, I am soaring. I have an angel in the afterlife and an angel here on Earth.

Peace.

Out of sorrow beautiful things may come.

In June, I will lead a poetry project through the Recovery Academy* with women clients of Acadiana Outreach. What I hope to achieve in the nine sessions is to give participants, through  structured, weekly creative writing workshops, tools to strengthen their ability to name thoughts and emotions and convey them artistically, and poem-making skills which may lead to positive breakthroughs and life-happenings by tapping into the resilience of the creative mind.

By offering skill-building creative writing exercises and prompts, sharing empowering literary works, and allowing for free-writing time, I hope to inspire participants to be able to create something beautiful, honest and uniquely their own through the craft of poetry. By creating a safe and nurturing atmosphere in our group sessions, I hope the participants will have the assurance to reach into their creative minds to find deeper self-awareness, keys to success, and possibly true healing.

In my own personal experience, creative writing has led me out of despair, allowed me to express joy and love in sensory, beautiful language, and come to a place where I feel honored to be me. It is my hope that participants will find their “true voices” via new creative skills that may give rise to creative problem-solving in circumstances they face in their everyday lives.

Art is vital and necessary, and creative acts are transformative. We can transform. We can rise above and live in hope. The positive effects of writing our very lives can lead one out of places of darkness. I believe that through creative writing, through the process of discovery and poetic documentation, we can find our way, recover and thrive.

“If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don’t write, because our culture has no use for it.” —Anais Nin

I am committing to this project enthusiastically to be able to interact with these women, lead them to new awareness and appreciation for poetry as a vital tool of self-expression. I am committed to the work, and have great hope for this project.

*Recovery Academy 2014 will present local poet Clare L. Martin in a series of workshops focusing on poetry as a transformative process culminating in a reading at Theatre 810, the site of “Off the Streets.” The workshops will be from 7 to 9 pm, at the Outreach facility June 2; June 9; June 16; June 23; June 30 and July 7; July 14; and July 21, all in 2014. The project will conclude with a public reading by the client-poets at Theatre 810 on July 28, 2014 hosted by Clare herself at 7 pm concluding at 9 pm.

See you in Seattle!

Events at AWP at which Clare will appear.  See you in Seattle!

 

AWP 1

 

MadHat & Plume Present: an off-site reading at the AWP

Friday, February 28th, 2014 @ 6 pm to 9 pm
Taphouse Bar & Grill Seattle
1506 6th ave, Seattle, Washington 98101

Featured poets:

Robin Behn
Wendy Taylor Carlisle
Jim Daniels
Mark Irwin
Katia Kapovich
Amy King
Clare L. Martin
Philip Nikolayev
Nava Renek
David Rivard
Jill Rosser
Bernd Sauermann
Tod Thilleman
Yuriy Tarnawsky
Rosanna Warren

and appearances by your hosts, Marc Vincenz, Jonathan Penton, and Daniel Lawless

Book-signings by Clare L. Martin

Eating_the_Heart_First_Cover FB

On Thursday, February 27th and Friday, February 28th from 3-4:00 pm (both days) poet Clare L. Martin will sign copies of Eating the Heart First (Press 53, 2012) at the Press 53/Prime Number Magazine table (CC 35-36). Copies of Eating the Heart First will be available at the Press 53 table in limited quantity.

And on Saturday, March 1st from 11 am – 12:00 pm, Clare will sign copies of Eating the Heart First and Vision/Verse 2009-2013: An Anthology of Poetry (Yellow Flag Press) at the Yellow Flag Press table (K 21) Copies of Eating the Heart First will be available at the Yellow Flag Press table in limited quantity.

VV

Vision/Verse 2009-2013: An Anthology of Poetry

Featured poets:

Lou Amyx
Maya Beerbower
Jacob Blevins
Darrell Bourque
Steven Brown
Elizabeth Burk
Kolleen Carney
William Lusk Coppage
Rita D. Costello
Kevin Dwyer
S. B. Ferguson
Amy Fleury
J. Bruce Fuller
Trèe George
Rodney Gomez
Ashley Mace Havird
David Havird
Ava Leavell Haymon
Mary Hughes
Hillary Joubert
Julie Kane
Clare L. Martin
Erica McCreedy
Andrew McSorley
Patrice Melnick
Stella Ann Nesanovich
Jan Rider Newman
Angelina Oberdan
Philana Omorotionmwan
M. Rather, Jr.
Michael Shewmaker
M. E. Silverman
Kevin Thomason

 

The 2014 AWP Bookfair is located on Level 4 of the Washington State Convention Center, 800 Convention Place in Seattle.

To-Do List

Seattle-Space-Needle

– AWP 2014, Seattle, WA
2 days to take off.

Pack: toiletries, clothes, shoes, meds, phone charger,  books, poems, umbrella & a GOOD PEN—check in 24 hours before the flight(s) Relax and try to enjoy/fulfill the purpose of the craziest ride I will likely ever be on.

Voices in Winter: Clare L. Martin and Diane Moore

Clare Diane

 

 

Wednesday, February 19th at 7 pm the winter installment of the Voices Seasonal Reading Series will feature a special evening of literary readings by poets Clare L. Martin and Diane Moore at Carpe Diem! Gelato – Espresso Bar located at 812 Jefferson Street in downtown Lafayette. The public is invited to enjoy gelato, espresso, tea, and pastries while experiencing a unique and enlightening literary event. The event also celebrates the two-year anniversary of this highly successful reading series in Lafayette.

Clare L. Martin’s debut collection of poetry, Eating the Heart First, was published fall 2012 by Press 53 as a Tom Lombardo Selection. Martin’s poetry has appeared in Avatar Review,Blue Fifth Review, Melusine, Poets and Artists and Louisiana Literature, among others. She has been nominated for a Pushcart Prize, Dzanc Books’ Best of the Web, for Best New Poets and Sundress Publication’s Best of the Net. Her poems have been included in the anthologies The Red Room: Writings from Press 1, Best of Farmhouse Magazine Vol. 1,Beyond Katrina, and the 2011 Press 53 Spotlight. She is a lifelong resident of Louisiana, a graduate of University of Louisiana at Lafayette, a member of the Festival of Words Cultural Arts Collective and a Teaching Artist through the Acadiana Center for the Arts. Martin founded and directs the Voices Seasonal Reading Series in Lafayette, LA, which features new and established Louisiana and regional writers and co-coordinates Acadiana Wordlab, a weekly literary drafting workshop. She serves as Poetry Editor of MadHat Annual and Editor of MadHat Lit, publishing ventures of MadHat, Inc.

Diane Moore is a writer of books, short stories, articles, and poetry. Her latest published book is a book of poetry,  In A Convent Garden. Her poetry and short stories have appeared in the Southwestern Review, Interdisciplinary Humanities, American Weave, Xavier Review, Trace, The Pinyon Review, and other literary journals. Her young adult book, Martin’s Quest, was awarded a grant that placed it on the supplementary reading list for Social Studies in Terrebonne and Lafourche parishes and was listed on the Louisiana Library Association’s reading list for accelerated students. Martin’s Quest was also a finalist in the Heekins Foundation Award Contest for an outstanding young adult book. Diane has been involved in poetry readings with both former Poet Laureate of Louisiana Darrell Bourque and Poet Laureate of Louisiana, Julie Kane; with New Orleans poet Brad Richard in the Festival of Words program in Grand Coteau, and with the present Louisiana Poet Laureate, Ava Haymon. This year, she published another young adult novel set in south Louisiana entitled Martin and the Last Tribe, the third in a series about the young traiteur hero of Martin’s Quest.

This event is free and open to the public.

Love poem.

THE EMBALMER’S WIFE

You’ve never revealed
your dreams but I guess

the dreamscape:
faces like cold candles,

water-stone eyes,
sewn mouths—viscera.

She was a weaver who imparted
wisdom to her daughters.

She was devout.

Cherish my breast
and the music

of our breathing.
Heartbeat-cadences lilt

in the hours we share.
I cling to you gratefully.

How you touch me with need,
surrendering to life.

First appeared in  Melusine, Spring/Summer  2012

A&E LOVE Poetry Night 
Friday, February 14th, 2014
6 pm – til
Featuring:
Bonny McDonald and Clare L. Martin
hosted by Margaret Gibson Simon
A&E Gallery
335 W St Peter St, New Iberia, LA 70560

Eating the Heart First

My debut collection of poetry, Eating the Heart Firstpublished by Press 53  is available. Click on the image to purchase directly from Press 53′s web site. Available via Barnes & Noble andAmazonFor more information, or to purchase a signed copy, contact me via the email address below:

martin.clarel@gmail.com

THANK YOU

Praise for Eating the Heart First

“Clare L. Martin is a fine young poet whose work is dark and lovely and full of a deep organic pulse. Like the landscape of her beloved Louisiana, her work is alive with mystery. You could swim in this hot water, but there are things down inside its darkness that might pull you away forever. It is an exquisite drowning.”

— Luis Alberto Urrea, author of Queen of America

***

An excerpt from a review by Stacia Fleegal for Blood Lotus: A Journal of Online Literature:

“Martin is a fearless poet who opens her collection with a poem called “Naked.” She tells us she “winc[es] at self-recognition”—but wincing isn’t running, isn’t hiding from the mirror. In “I Have Learned to Hold My Tongue” a few pages later, silence isn’t forever, but “Not yet, not yet.” Words must gestate, be nourished in wombs until viable.

Knowing when to let words out becomes knowing how hard to love, and the knowledge, anthropologists might conclude, comes from women. Perhaps it’s one woman who is many women: “The woman naked before the mirror,” “the woman you married,” “Bone Woman,” “Girl Running with Horses,” “Garbage Woman,” “wood-boned mother,” “the earth, your other mother”…there are more. Martin tells us what women know, and looks to women in dreams, in art, and in memory for answers. Many of her poems even read like spells—the knowledge is “conjured,” “illuminates” and “enlightens.” Love letters are burned and smoke is “sacrificial.” Ashes are offered “to the thunder and wind.” Ceremoniously, Martin honors lives—her father’s, her infant son’s—she couldn’t herself sustain anywhere else but in the altar-tombs of her poems.

“What are these words / but weapons of grief?” she asks rhetorically in “Abandoned.”

And such weapons as we find in her book are exquisitely rendered.

***

“Clare L. Martin pulls off an impressive balancing act in her debut book of poems Eating the Heart First. In this collection, divided into three sections, she manages trust of her intuitive powers while she tats her findings onto poems built with technical expertise. She is a believer of dreams, and the whole of the work can be read as an oneiric treatise guided by the powers she believes in: the power of memory, the power of water, the power of moons, the powers of longing, and the power of love. In one of the late poems a crow in a dream asks, ‘Let me be a whorl of darkness— / Let me be a fist in the sun.’ All of the poems in this collection have the impact of that crow’s call and of the trope it creates. Gradually the poems reveal richly textured revelations of a heart tied to human experience in that ‘dream we cannot know completely.’ And, while we may not ever know the dream completely, Ms. Martin hands us a guidebook to dreams and to the art that uses dream and dreaming as the scaffolding from which to make something beautiful, and useful, and mysterious all at the same time.”

— Darrell Bourque, former Poet Laureate of Louisiana and author of In Ordinary Light, New and Selected Poems

***

“In her first collection, Martin deals with many common themes – motherhood, death, nature – but does so with an unsettling grace. There is an honesty and an understated tone that give each piece the right mix of tension and release. Many of the poems are exceptionally well wrought, describing loss and hope, anger and want. The most powerful piece in the collection has to be “Bread Making.” The seething anger, mixed with a dash of christian mythos, combined with flour, and sweat, all bake together into the perfect loaf.

Although described as a Louisiana poet, Martin will appeal to readers way beyond the dankness of the bayou.”

R L Raymond  rlraymond.blogspot.com
Blog about the writing and poetry of R L Raymond

Breathe

She pours the lavender bath salts into the tub under hot running water, lights one dark candle and steps out of her dress and panties. The tea is hot but not too hot: cinnamon spice, fragrant orange. The bathwater is piping hot; she steps in with both feet but then does a little dance, one foot up and one foot down. She lowers herself into the bath. Her thighs redden. A joint would be great right now but it has been years since she smoked pot, let alone had any in her possession. Maybe legal pot will come here. She has a medical necessity. Ah, yes. Perfect. The hot water, the tea, the soothing scents, the candlelight—she turns down the volume of her thoughts and arouses a new mind.

©2014 CLM

This piece was generated at the February 8th, 2014 Acadiana Wordlab led by George Marks. More info on Acadiana Wordlab can be found here: www.acadianawordlab.org