In January of 2017, I facilitated “Writing Hope” with women being assisted to transition from homelessness by Acadiana Outreach, as six-week poetry writing workshop and reading of the women’s work at Saint Barnabas Episcopal Church.
My second full-length poetry collection, Seek the Holy Dark, was released at The Association of Writers and Writing Programs conference (AWP) in Washington D.C. I read with other Yellow Flag Press poets, and poets affiliated with Gigantic Sequins Press and the University of Louisiana at Lafayette at George Washington University Textile Museum. I belatedly celebrated my daughter’s 21st birthday in D.C. with her!
March was the Lafayette book release of Seek the Holy Dark at Reve Coffee Roasters. Friends far and near came and it was wonderful. As part of the promotion of the book’s release, I was interviewed on KRVS by Judith Meriwether and an article appeared locally in The Independent.
In April, I read at the Maple Leaf Bar. Such a wonderful thing to connect more deeply with poet-friends in NOLA in 2017. Also, in April I was invited to read at the State Library by Poet Laureate Peter Cooley.
Later in the month, I organized a reading with Jack Bedell and Darrell Bourque (current and former Poet Laureates, respectively) at the Paul and Lulu Hilliard Art Museum, to celebrate Yellow Flag Press’s Louisiana Cajun and Creole Series designees, as the three of us are.
Mid-April, I started a new job with Childress Communications as a content writer and ghostwriter! I also joined Connections Professional Networking and PRAL Acadiana to help my friend-boss, Dr. Cynthia Childress grow her firm.
In June, I was a featured poet at the Latter Library in New Orleans, thanks to poet Gina Ferrara. Always love my traveling Fairy Godmother, Bessie Senette, who is a love whirlwind in my life and shared so much of this exciting year with me.
October marked the occasion of the Louisiana Book Festival at which I was a featured author. As a panelist, I read with other women poets of Louisiana, selected by Current Poet Laureate, Jack Bedell.
November was the 10th Annual Festival of Words, which was heartily celebrated in Grand Coteau.
In December, I attended the Penchant Group’s first women’s’ writing retreat at the cabin in the woods (a wonderful spot at Chicot State Park, LA). It snowed!!
I edited and published three issues of MockingHeart Review, and interviewed several MHR poets (as many as I could muster).
I also organized, with musician and teacher, Esther Tyree, a Hurricane Harvey fundraiser at Artmosphere. Highlights continued with readings around Acadiana with dear poet friends.
Whew! Despite boughts of severe depression and financial trauma, I am so proud to say that I am sharing my gifts with the world.
Clare L. Martin’s second collection of poetry, Seek the Holy Dark, is the 2017 selection of the Louisiana Cajun and Creole Series by Yellow Flag Press. Her acclaimed debut collection of poetry, Eating the Heart First, was published by Press 53. Martin’s poetry has appeared in Thrush Poetry Journal, Poets and Artists, and Louisiana Literature, among others. She founded and edits MockingHeart Review.
Two years ago, I was the artist contracted to work on a grant-funded project called “Transformations” which taught creative writing skills to women transitioning from homelessness and/or were in recovery who lived at a shelter-residence run by a local non-profit. I have been contracted again to do the project this year.
I begin the “Writing Hope” sessions Tuesday and continue once-a-week for seven weeks.* In the eighth week, I will host the women at their own poetry reading at a community center. I absolutely love this work. *Taking a one-week delay for AWP.
The focus of the first session will be on seeing the good in one’s self, recognizing growth, and focusing on the positive in life. Rather than delving into aspects of craft, this is a vocational effort to uplift these women, to give them hope in the new situations they will face with greater independence.
This project for non-writers is not to be dismissed as easy work. Writing is a transformative, healing art. It is my job, over the course of these many weeks, to help the women see that they can produce something beautiful because they are beautiful, creative souls.
Please send us good energy and uplifting thoughts.
“Gestation” by Clare L. Martin
(watercolor, color pencil, crayon, charcoal on paper, digitized, filtered).
“Creation” by Clare L. Martin.
charcoal and crayon on paper. digitized. edited. filtered. 2016.
Last night’s dream was powerful and wonderful. I had a baby boy, an infant, with thick black hair. I was trying to get him to nurse for the first time, but he couldn’t latch onto my nipple. We thought we would have to get bottles and formula but my deceased mother came to me and said, “Try again.” I thought maybe I didn’t have milk in my breasts, but maybe I did. In the dream, I tried so many different positions to feed that baby. I even tried getting him to latch upside down. I woke up at that point and immediately sensed it was my creative life (the hungry infant) that I needed to feed, however possible. The dream was enlightening and not disturbing.
I am honoring my creative self by re-ordering, re-positioning myself to feed the hungry Writing Life that has been nearly starved over the past year and a half of mourning and Limbo. My determination to nurture new creation is palpable. I may be too old for a baby but I will birth a second book.
The title of this post, “There is enough milk in my breasts for you, my glass infant,” is a line from a poem I am working on. Thank you for reading.