“Marsh Song I”

marsh-song-1“Marsh Song I*” Mixed media, Clare L. Martin ©2016
Inspiration—

We drive westward along the Louisiana coast on a crumbling highway with my parents. The sky purples with becoming light. Our bellies are full of boudin and cracklins. Hot coffee is handed carefully from the front seat to my husband and I seated in the back.

We sing “J’ai Passe Devant Ta Porte” or “Bon Vieux Mari,” called by my mother and responded to by my father. Always my father embellishes his responses. My mother rolls down her window and points to the Roseate Spoonbills lifting from their roosts. My father stops singing and praises God.

A prayer is said for loved ones, wherever they are. More of the morning sky erupts over the marsh. I think of painters, how I wish to be one, how I have tried with my words. This day we are traveling to see Sandhill Cranes that have been spotted in Creole, a few miles from here. We always take the scenic route and happily travel from dawn to dusk.

How many times have we come to this slipping away land and been blessed by our forgetfulness of the world’s problems and our own? Countless. How much do I miss these two people who gave and saved my life? My longing cannot be measured.

To treasure the dead is our inheritance.

*I dedicate this artwork and these words to my beloved family, especially to my deceased loved ones, wherever they are.

 

Clare L. Martin

Wings

Image

I want my ashes spread at Cypremort Point, Louisiana. To me it is a place that I have loved visiting all of my life. I continue to make memories there with my family.

As a child, my imagination was continually sparked by my mother’s nature-games, spotting hawks, Kingfishers, cranes, and other birds who inhabit the area and also her fun stories about Bear Country, a sloping area near the Weeks Island turnoff.  When we drove through Bear Country to get to the point, my mother’s voice would always drop a bit in tone and volume and she would tell us to be on the lookout for bears. As an adult, I finally saw a Louisiana Black Bear there and my mother’s evocative tales all became so wonderfully real again.

We had the use of a camp on the point for many years when I was very little until I was maybe ten years old. We would stay weekends out there with family. We would fish, crab, play in the water at the beach and then pack up at the end of that seemingly endless time and go home. I always liked Cypremort Point better than home. I do not remember much of the home on Sixth Street I began life in, but I vividly remember Cypremort Point.

Once I was allowed to steer the boat out in Vermilion Bay. I turned the wheel hard left and we circled dangerously. Once my father “caught” an alligator on his fishing line at Marsh Island and I shrieked in fear that the alligator was going to “get me” as he reeled it closer to the boat. There was an illusive, enormous sheep’s head fish that all of us tried to catch. It lurked under the wharf and we would see it swim slowly in and out of sunlight. There was a day when the sun was full and high that I saw a thunderous strongman lift a sea turtle over his head on a shrimp boat. I was stunned by the exotic creature and the strange man who seemed to appear from a Sinbad the Sailor movie.

This brings to mind the dead winged monkey that I saw in a pile of shucked crab shells.  It was stinking and scary. I saw the wings. My brother didn’t. Its dank and wet hide was encircled by flies.  I looked closely for evidence of breath but there was none. It was my first up close experience with death.

I held onto that memory for years, the wonder of it and the improbability. I protected my illusions. I saw a winged monkey like in the Sinbad movies, like in The Wizard of Oz. These creatures were real even though the one I saw was dead, rotting, and half-buried under red-boiled blue point crab shells.

It was more real than anything.

I have told this story to only the closest of friends, or after a long drunk.  It didn’t do much to jeopardize my reputation because my reputation has always been at risk. Saturday at Acadiana Wordlab, I wrote about the dead winged monkey and we all laughed. The truth perhaps spilled out that I had imagined it, that likely the monkey was a pet on a shrimp boat, not Sinbad’s ship, and the pet monkey had died and was discarded.

But I really want to believe, to hold fast to the magic of its existence; the idea that we do not know all that we think we do. I want to believe in the strange and unfamiliar, the existence of secret things of this world. How would you know that this creature does not exist? Our knowledge is fallible, limited. You may say I am a silly woman, and I am. I am in my heart still that silly, shocked and awed girl; a child of wonder. And I reside in that one, and perhaps many other, glorious illusions.

A lovely gift to give yourself and those you love…

My debut collection of poetry, Eating the Heart First, published by Press 53 as a Tom Lombardo selection, is now available.

Click on the image to purchase directly from Press 53′s web site.

Also available on Amazon (may not arrive before Christmas)

For more information, or to purchase a signed copy, contact me via the email address below:

Clare L. Martin: martin.clarel@gmail.com

THANK YOU

Praise for Eating the Heart First

“Clare L. Martin is a fine young poet whose work is dark and lovely and full of a deep organic pulse. Like the landscape of her beloved Louisiana, her work is alive with mystery. You could swim in this hot water, but there are things down inside its darkness that might pull you away forever. It is an exquisite drowning.”

— Luis Alberto Urrea, author of Queen of America
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“In her first collection, Martin deals with many common themes – motherhood, death, nature – but does so with an unsettling grace. There is an honesty and an understated tone that give each piece the right mix of tension and release. Many of the poems are exceptionally well wrought, describing loss and hope, anger and want. The most powerful piece in the collection has to be “Bread Making.” The seething anger, mixed with a dash of christian mythos, combined with flour, and sweat, all bake together into the perfect loaf.

Although described as a Louisiana poet, Martin will appeal to readers way beyond the dankness of the bayou.”

R L Raymond  rlraymond.blogspot.com
Blog about the writing and poetry of R L Raymond
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“Clare L. Martin pulls off an impressive balancing act in her debut book of poems Eating the Heart First. In this collection, divided into three sections, she manages trust of her intuitive powers while she tats her findings onto poems built with technical expertise. She is a believer of dreams, and the whole of the work can be read as an oneiric treatise guided by the powers she believes in: the power of memory, the power of water, the power of moons, the powers of longing, and the power of love. In one of the late poems a crow in a dream asks, ‘Let me be a whorl of darkness— / Let me be a fist in the sun.’ All of the poems in this collection have the impact of that crow’s call and of the trope it creates. Gradually the poems reveal richly textured revelations of a heart tied to human experience in that ‘dream we cannot know completely.’ And, while we may not ever know the dream completely, Ms. Martin hands us a guidebook to dreams and to the art that uses dream and dreaming as the scaffolding from which to make something beautiful, and useful, and mysterious all at the same time.”

— Darrell Bourque, former Poet Laureate of Louisiana and author of In Ordinary Light, New and Selected Poems

Hello, World! Let me move you with my words.

Clare L. Martin

My debut collection of poems is now available for pre-order from Press 53 as a Tom Lombardo Selection. Click on the cover image to take you to my page where you can order it. If you pre-order, you will have your book in hand, signed by me approximately one month before the publication date of Oct. 1st.

So much of my heart went into this book, it pulses. I hope you will enjoy! Love and thanks,

Clare

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Haiti

My prayers and thoughts for healing the suffering of your people go out to you…I have and will continue to give what I can.

My prayers, too, are for all who are suffering in mind and body.

Text HAITI to 90999 to donate $10 on behalf of the American Red Cross. — Text YELE to 501501 to donate $5 on behalf of The Yele Haiti Foundation.

Close to the truth, but not

I don’t usually post poems on this blog, but this poem was previously published in an online journal that unfortunately doesn’t exist any longer.

 

SCATTERING ASHES INTO THE GULF OF MEXICO

Storm-light cracks the rain-whipped windshield.
We are numbed by the beat of the blades & grief. 

Your childhood was a shattered peace; memories cut on broken hearts.
When your father left, life derailed into a crushing wreck. 

Strangers you called “uncle” streamed after the bars closed.
You soothed yourself with lies.  You showed her mercy, love. 

Your mother wanted to be drunk when she died.  She reeked of urine.
You gave her vodka on ice.  It kissed her like morphine.

Your inheritance is a collection of rings; none made of gold.
She bequeathed mysteries for your mourning.

In slashing rain, you seek a point on the storm-dark horizon to take you
into a sweet memory of her, but she is obscure, inscrutable.

You offer ashes to the thunder & wind.
That death is our singular future gives you peace.

 Assured the moon will still pull these gulf waves
even when no one loved is left living.

(First appeared in Southern Hum, Issue 3, March 2006)

Happy Announcements

Here’s a run down of my fall schedule, in addition to being all things to all people, of course.

 

NOTE TO  SELF: 10/1 – 10/31 Open Reading Period for Tarpaulin Sky Press
I’m currently seeking a publishing opportunity for my collection, Garbage Woman.
10/6 — 12/8 play.music.heal project “process sessions”
Every Monday during this period I will work with actors (Acting Up in Acadiana Theater Company) and musicians on a innovative collaborative theater project.  More soon!
10/15 — 10/18 Festival of Words  
I will be presenting a poetry workshop and reading poetry to select high school middle school students in St. Landry Parish and conducting a storytelling session with a group of older Creole people.  
11/08 Clare’s birthday!
I have also sent out sixteen poems, one piece of microfiction and one short story to literary journals.  
Clicky the links!  Wish me luck!

Take a Hike Ike

We’re okay.  We never lost power. We got wind and some rain but that is all.

 

EDIT:  I was speaking of my immediate family’s condition.  But  I am very sad about the loss, devastation and pain others south and west of us are experiencing.  The surge-flooding that occurred in coastal Louisiana is greater than what happened during Rita. I know I have cousins in the Delcambre and Erath areas who had several feet of water in their homes. Some graves were unearthed due to the flooding.  Major disaster down there too.

 My heart goes out to Texas too.

Please check The Daily Advertiser for photo galleries and coverage of the storm as it has impacted Louisiana and its aftermath.

The Hurricane Poems

I am working on a series or long poem, titled The Hurricane Poem(s.)  I think I can work this material (some old some new some yet to be)  into a whole. The trick will be to secure the underpinnings.

What excites me is that I know there is material of substance under the surface of these words. I know that I can go deeper and deeper still into the raw hurricane experience, into the harrowing sights and sounds, ponder the force of nature to bring out something significant.
It is a demanding subject. There is much to say. I am so close to it right now that I am raw as well, and I will need some distance, but I want to capture what is so threatening to me, and perhaps acknowledge the after-effect of clarity and strength that I have also known. 

I am excited to work on a piece that will require some time, concentration, fighting for ideas and letting them go, days of reflection and measured judgment. 

I also have three writing-related engagements this fall, and my 40th birthday.  I’m super-excited about that, surprisingly. I love my birthdays! I’m shameless like that.