See you in Seattle!

Events at AWP at which Clare will appear.  See you in Seattle!

 

AWP 1

 

MadHat & Plume Present: an off-site reading at the AWP

Friday, February 28th, 2014 @ 6 pm to 9 pm
Taphouse Bar & Grill Seattle
1506 6th ave, Seattle, Washington 98101

Featured poets:

Robin Behn
Wendy Taylor Carlisle
Jim Daniels
Mark Irwin
Katia Kapovich
Amy King
Clare L. Martin
Philip Nikolayev
Nava Renek
David Rivard
Jill Rosser
Bernd Sauermann
Tod Thilleman
Yuriy Tarnawsky
Rosanna Warren

and appearances by your hosts, Marc Vincenz, Jonathan Penton, and Daniel Lawless

Book-signings by Clare L. Martin

Eating_the_Heart_First_Cover FB

On Thursday, February 27th and Friday, February 28th from 3-4:00 pm (both days) poet Clare L. Martin will sign copies of Eating the Heart First (Press 53, 2012) at the Press 53/Prime Number Magazine table (CC 35-36). Copies of Eating the Heart First will be available at the Press 53 table in limited quantity.

And on Saturday, March 1st from 11 am – 12:00 pm, Clare will sign copies of Eating the Heart First and Vision/Verse 2009-2013: An Anthology of Poetry (Yellow Flag Press) at the Yellow Flag Press table (K 21) Copies of Eating the Heart First will be available at the Yellow Flag Press table in limited quantity.

VV

Vision/Verse 2009-2013: An Anthology of Poetry

Featured poets:

Lou Amyx
Maya Beerbower
Jacob Blevins
Darrell Bourque
Steven Brown
Elizabeth Burk
Kolleen Carney
William Lusk Coppage
Rita D. Costello
Kevin Dwyer
S. B. Ferguson
Amy Fleury
J. Bruce Fuller
Trèe George
Rodney Gomez
Ashley Mace Havird
David Havird
Ava Leavell Haymon
Mary Hughes
Hillary Joubert
Julie Kane
Clare L. Martin
Erica McCreedy
Andrew McSorley
Patrice Melnick
Stella Ann Nesanovich
Jan Rider Newman
Angelina Oberdan
Philana Omorotionmwan
M. Rather, Jr.
Michael Shewmaker
M. E. Silverman
Kevin Thomason

 

The 2014 AWP Bookfair is located on Level 4 of the Washington State Convention Center, 800 Convention Place in Seattle.

Productivity, Wordlab, and a work-in-progress

I read “The Hanging Woman” last night at the Voices Seasonal Reading Series Winter event. After the reading I was told by former Louisiana Poet Laureate Darrell Bourque how excited he was about my new work and the creative breakthroughs that I am experiencing. He said other things in a private email that I take to heart. I must harness this force within me. It can be exhausting to wrestle a hurricane but I will pin it down. Click “View Original” at the link below to see what I am talking about.

Clare L. Martin

Before Acadiana Wordlab was founded in 2012, I was pretty productive but I was at a weird point on my writing path.  The book had just come out and I was a bit aimless. So much time was devoted to preparing the manuscript, seeing Eating the Heart First into publication and promoting it, I was off when it came to daily writing.  At first I thought I didn’t need or want to be in a “writing group” and was actually a bit scared to write raw in a group. I was wrong. Acadiana Wordlab has helped me to go places in my writing I never would have ventured, and I am a much “looser” writer when it comes to first getting words onto paper. Also, the multiple creative approaches afforded by the variety of artist-presenters have opened my mind. This has probably created new neural pathways/tapped into other areas of my…

View original post 282 more words

Voices in Winter: Clare L. Martin and Diane Moore

Clare Diane

 

 

Wednesday, February 19th at 7 pm the winter installment of the Voices Seasonal Reading Series will feature a special evening of literary readings by poets Clare L. Martin and Diane Moore at Carpe Diem! Gelato – Espresso Bar located at 812 Jefferson Street in downtown Lafayette. The public is invited to enjoy gelato, espresso, tea, and pastries while experiencing a unique and enlightening literary event. The event also celebrates the two-year anniversary of this highly successful reading series in Lafayette.

Clare L. Martin’s debut collection of poetry, Eating the Heart First, was published fall 2012 by Press 53 as a Tom Lombardo Selection. Martin’s poetry has appeared in Avatar Review,Blue Fifth Review, Melusine, Poets and Artists and Louisiana Literature, among others. She has been nominated for a Pushcart Prize, Dzanc Books’ Best of the Web, for Best New Poets and Sundress Publication’s Best of the Net. Her poems have been included in the anthologies The Red Room: Writings from Press 1, Best of Farmhouse Magazine Vol. 1,Beyond Katrina, and the 2011 Press 53 Spotlight. She is a lifelong resident of Louisiana, a graduate of University of Louisiana at Lafayette, a member of the Festival of Words Cultural Arts Collective and a Teaching Artist through the Acadiana Center for the Arts. Martin founded and directs the Voices Seasonal Reading Series in Lafayette, LA, which features new and established Louisiana and regional writers and co-coordinates Acadiana Wordlab, a weekly literary drafting workshop. She serves as Poetry Editor of MadHat Annual and Editor of MadHat Lit, publishing ventures of MadHat, Inc.

Diane Moore is a writer of books, short stories, articles, and poetry. Her latest published book is a book of poetry,  In A Convent Garden. Her poetry and short stories have appeared in the Southwestern Review, Interdisciplinary Humanities, American Weave, Xavier Review, Trace, The Pinyon Review, and other literary journals. Her young adult book, Martin’s Quest, was awarded a grant that placed it on the supplementary reading list for Social Studies in Terrebonne and Lafourche parishes and was listed on the Louisiana Library Association’s reading list for accelerated students. Martin’s Quest was also a finalist in the Heekins Foundation Award Contest for an outstanding young adult book. Diane has been involved in poetry readings with both former Poet Laureate of Louisiana Darrell Bourque and Poet Laureate of Louisiana, Julie Kane; with New Orleans poet Brad Richard in the Festival of Words program in Grand Coteau, and with the present Louisiana Poet Laureate, Ava Haymon. This year, she published another young adult novel set in south Louisiana entitled Martin and the Last Tribe, the third in a series about the young traiteur hero of Martin’s Quest.

This event is free and open to the public.

Love poem.

THE EMBALMER’S WIFE

You’ve never revealed
your dreams but I guess

the dreamscape:
faces like cold candles,

water-stone eyes,
sewn mouths—viscera.

She was a weaver who imparted
wisdom to her daughters.

She was devout.

Cherish my breast
and the music

of our breathing.
Heartbeat-cadences lilt

in the hours we share.
I cling to you gratefully.

How you touch me with need,
surrendering to life.

First appeared in  Melusine, Spring/Summer  2012

A&E LOVE Poetry Night 
Friday, February 14th, 2014
6 pm – til
Featuring:
Bonny McDonald and Clare L. Martin
hosted by Margaret Gibson Simon
A&E Gallery
335 W St Peter St, New Iberia, LA 70560

Eating the Heart First

My debut collection of poetry, Eating the Heart Firstpublished by Press 53  is available. Click on the image to purchase directly from Press 53′s web site. Available via Barnes & Noble andAmazonFor more information, or to purchase a signed copy, contact me via the email address below:

martin.clarel@gmail.com

THANK YOU

Praise for Eating the Heart First

“Clare L. Martin is a fine young poet whose work is dark and lovely and full of a deep organic pulse. Like the landscape of her beloved Louisiana, her work is alive with mystery. You could swim in this hot water, but there are things down inside its darkness that might pull you away forever. It is an exquisite drowning.”

— Luis Alberto Urrea, author of Queen of America

***

An excerpt from a review by Stacia Fleegal for Blood Lotus: A Journal of Online Literature:

“Martin is a fearless poet who opens her collection with a poem called “Naked.” She tells us she “winc[es] at self-recognition”—but wincing isn’t running, isn’t hiding from the mirror. In “I Have Learned to Hold My Tongue” a few pages later, silence isn’t forever, but “Not yet, not yet.” Words must gestate, be nourished in wombs until viable.

Knowing when to let words out becomes knowing how hard to love, and the knowledge, anthropologists might conclude, comes from women. Perhaps it’s one woman who is many women: “The woman naked before the mirror,” “the woman you married,” “Bone Woman,” “Girl Running with Horses,” “Garbage Woman,” “wood-boned mother,” “the earth, your other mother”…there are more. Martin tells us what women know, and looks to women in dreams, in art, and in memory for answers. Many of her poems even read like spells—the knowledge is “conjured,” “illuminates” and “enlightens.” Love letters are burned and smoke is “sacrificial.” Ashes are offered “to the thunder and wind.” Ceremoniously, Martin honors lives—her father’s, her infant son’s—she couldn’t herself sustain anywhere else but in the altar-tombs of her poems.

“What are these words / but weapons of grief?” she asks rhetorically in “Abandoned.”

And such weapons as we find in her book are exquisitely rendered.

***

“Clare L. Martin pulls off an impressive balancing act in her debut book of poems Eating the Heart First. In this collection, divided into three sections, she manages trust of her intuitive powers while she tats her findings onto poems built with technical expertise. She is a believer of dreams, and the whole of the work can be read as an oneiric treatise guided by the powers she believes in: the power of memory, the power of water, the power of moons, the powers of longing, and the power of love. In one of the late poems a crow in a dream asks, ‘Let me be a whorl of darkness— / Let me be a fist in the sun.’ All of the poems in this collection have the impact of that crow’s call and of the trope it creates. Gradually the poems reveal richly textured revelations of a heart tied to human experience in that ‘dream we cannot know completely.’ And, while we may not ever know the dream completely, Ms. Martin hands us a guidebook to dreams and to the art that uses dream and dreaming as the scaffolding from which to make something beautiful, and useful, and mysterious all at the same time.”

— Darrell Bourque, former Poet Laureate of Louisiana and author of In Ordinary Light, New and Selected Poems

***

“In her first collection, Martin deals with many common themes – motherhood, death, nature – but does so with an unsettling grace. There is an honesty and an understated tone that give each piece the right mix of tension and release. Many of the poems are exceptionally well wrought, describing loss and hope, anger and want. The most powerful piece in the collection has to be “Bread Making.” The seething anger, mixed with a dash of christian mythos, combined with flour, and sweat, all bake together into the perfect loaf.

Although described as a Louisiana poet, Martin will appeal to readers way beyond the dankness of the bayou.”

R L Raymond  rlraymond.blogspot.com
Blog about the writing and poetry of R L Raymond

Time for Fire: a prose poem-in-progress

stains of our existence we were here and there too layers of our lives we undress, unravel the private vision shared through language through paint, through the movement of our arms, legs, face muscles we are riotous, loud I know my lungs are diseased and the future is one mechanical cough after another mechanical cough a cold, germ-slick room in the artwork the man walks in sunset delineated by power lines the man walks into the sunset a room with walls of light rain sings on a tin roof  whoosh of cars (crashing waves, Joni says) dogs bark at nothing or with predatory intent and then silence, well silence and cicadas and a hammer. breath fogs indoors it is so cold otherworldly energy: a serene-faced ghost slow-drags holds the smoke in her discorporate self we are suspended in her delayed exhalation the burdens on our backs dissolve like wings in hydrochloric acid the dead wolf Charles spoke of pads into the woods again and kills the milk-mouthed fawn the raven proclaims it flies off with a ribbon of entrails no one will speak, to speak means death, our footfall silent as a cartoon Indian no twigs underfoot no sweeping strides through gold grasses moon-rise we look up blessed, mournful the fallen tree has gone to rot but seems hard enough to bear us

©2014 CLM

This piece was generated at the February 8th, 2014 Acadiana Wordlab led by George Marks. More info on Acadiana Wordlab can be found here: www.acadianawordlab.org 

Breathe

She pours the lavender bath salts into the tub under hot running water, lights one dark candle and steps out of her dress and panties. The tea is hot but not too hot: cinnamon spice, fragrant orange. The bathwater is piping hot; she steps in with both feet but then does a little dance, one foot up and one foot down. She lowers herself into the bath. Her thighs redden. A joint would be great right now but it has been years since she smoked pot, let alone had any in her possession. Maybe legal pot will come here. She has a medical necessity. Ah, yes. Perfect. The hot water, the tea, the soothing scents, the candlelight—she turns down the volume of her thoughts and arouses a new mind.

©2014 CLM

This piece was generated at the February 8th, 2014 Acadiana Wordlab led by George Marks. More info on Acadiana Wordlab can be found here: www.acadianawordlab.org